by Audrey deCoursey
So, a new statue went up in downtown San Diego. The image is taken from the iconic photograph captured just after the end of World War II, in New York City, of two white Americans rejoicing in the end to foreign conflict. A returned sailor is sweeping a female nurse into a passionate embrace and smooch.
And they have called it “Unconditional Surrender.”
Oh, dear.
I am sure you, clever readers, are already running through all the reasons this is a slightly problematic name, but I will deign to add to your list with my own reasons.
The title is a play on the phrase that the US and Allies used to call for surrender from the Axis powers in World War II. Applied here, the so-titled statue sets up a dangerous equation:
a. woman = Axis powers;
b. man = Allied powers;
c. the two are in conflict;
d. the man/Allies win over the woman/Axis.
This establishes a rather unpleasant, unrealistic view of both romance and World War II…
1. This so-titled statue applies a war metaphor to romance. It takes ‘Love is a Battlefield’ to a whole new level. It implies that to love (or at least getting hot-and-heavy; the future of their relationship is unclear from the statue alone) happens as the end to a conflict between battling sides. Partners are enemies, and only when one wins out over the other can love enter in. Romance and love are not about teamwork or cooperation or compromise, but about one side winning a conflict, ‘unconditionally.’
2. The female is the one to surrender, unconditionally. She is the one physically lower, being tipped off balance precariously, while he stands erect and strong, in control of himself and her. By applying the phrase taken from World War II here, in this setting of two Americans facing each other, the genders (not nationalities) are what divide people, and here the man is the triumphant victor (the Allies) while the woman is the surrendering loser (the Axis countries).
3. Not that it’s a bad thing to be feminized, but the Axis peoples are feminized by this equation.
4. Not only is conflict between the two partners normal, because it presumably results in love, but to force one’s way through the resistance of the other is normal, too – it’s just a part of the game of love. She might put up a fight, but really she wants to surrender; that’s how ‘love’ works, for one person (who is male) forcing it onto another. Romance and love are not about consent, but about the stronger one winning everything they want.
5. By the way, the Germans and Japanese and Italians also really wanted to surrender. They wanted the Allies to break them unconditionally, even though they fought against it, just like the nurse ‘wanted’ to ‘surrender’ to the sailor’s embrace.
6. For us who are pacifists, it adds to the nationalistic glorification of war. A huge, public testament to celebrate war.
7. For us who are concerned about queer rights, it glorifies the heterosexist view of romantic love as only between a woman and a man. A huge, public testament to celebrate one view of love.
Was there nothing else worth making a 25-foot, 6,000-pound statue about?